In this film review, David Robert Mitchell’s ‘The End of Oak Street’ follows a suburban family in 1982 whose quiet neighborhood is upended by time travel. The film blends horror, Lynchian detail and Spielberg-scale ambition, while keeping its emotional focus firmly on the people at the center.
Read MoreJane Schoenburn’s ‘Teenage Sex and Death at Camp Miasma’ is a nearly unwatchable lakeside slasher that mistakes gore, sex, absurdity and satanic imagery for filmmaking.
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Scorpions proved at Veikkaus Arena that they still have plenty of life left in them, delivering a polished hard-rock show before 10,600 fans in Helsinki.
Read MoreDeathstalker review: Steven Kostanski’s rebooted cult fantasy mixes practical effects, brutal action, Slash’s music and Daniel Bernhardt’s fight-heavy performance in a gory throwback built for modern audiences.
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Patti Smith turns a rainy Allas Live night into a jubilant communal celebration, with radiant presence, big anthems and a crowd buzzing with joy.
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